Octagon Magic by Andre Norton (1967; reprint 2005 by Starscape)

Second in Andre Norton’s Magic Books series, Octagon Magic is Norton at her best and most surreal in children’s fiction.

Lorrie Mallard lived with her grandmother in Canada until her grandmother became sick and had to be cared for by a friend. Now living in the U.S. with an aunt, homesick Lorrie has trouble fitting in. She doesn’t like gossip, giggling, and listening to pop music with the girl next door. She hates it when the boys on the street call her Canuck and chase her around. But when they chase a kitten that belongs to the mysterious Octagon House, where a witch supposedly lives, Lorrie runs to the kitten’s rescue — and finds escape for herself as well.

For Octagon House holds its own secrets. Gentle Miss Ashemeade couldn’t be less like a wicked witch, nor is her cook, Hallie. Miss Ashemeade sits at an embroidery frame, surrounded by fine threads and special golden needles, and her sitting room is lined with museum-quality needlework. She teaches Lorrie some of her art, but more, she allows Lorrie to explore any room of the house — that is, any room that will allow her in. And the room that calls to her is the room that contains a miniature Octagon House. No mere plaything is this dollhouse. Keys appear in the drawers at the base. Lifelike dolls inhabit the drawers. And when she places the dolls and rides the magnificent rocking horse that stands near the house, Lorrie is transported into the past to witness the secrets of Octagon House.

Who — or what — is Miss Ashemeade? Is she really as old as Lorrie’s rockinghorse visions seem to tell her? Who is Hallie? What ever happened to the people who sought and found refuge at Octagon House? And what will happen to Miss Ashemeade if the plans to run a new superhighway straight through the Octagon House property are approved? Can Lorrie and her friends save Octagon House?

Steel Magic by Andre Norton (1965; Starscape reprint, 1995)

Though the great science fiction writer Andre Norton has passed away, her work lives on forever. Norton wrote for all ages, and her works for young people received no less care, attention, and imagination than her books for adults.

Starscape is now reprinting Norton’s beloved Magic Books series of middle-grade novels. Though a series, each book stands alone, with a separate cast of characters.

Steel Magic is a classic quest tale. Three children, visiting their uncle somewhere in New England, set out to explore the overrun gardens and woods, planted a generation or two ago by a mysterious Mr. Brosius, who then disappeared. Fans of Arthurian legends will come to instant alert at that name — Brosius? Ambrosius? As in the surname sometimes ascribed to Merlin?

But of course.

The boys, Eric and Greg, want to find a lake that supposedly lies in the tangle of woods. Their sister, Sara, tags along, the picnic basket she won at a fun fair firmly in hand, despite her terror of spiders. They find the lake, and in the middle of it, find the ruin of a small castle. Thinking it no more than a folly built by the former owners, the children enter — and find not a playhouse, but a doorway to Avalon.

There they find Avalon in serious trouble from dark forces. Only they who are capable of touching cold iron can find the three treasures that have been lost, but only if they can overcome their own fears. With the help of magical guides and the steel utensils in the picnic basket, Sara, Eric, and Greg set out to save Avalon and their own world.

While the pattern of the story and the ending are somewhat predictable, the telling of the three children’s adventures reveals Norton’s halmark imagination and surreal visions of her fantasy worlds.

The Wright 3 by Blue Balliett, illustrated by Brett Helquist (Scholastic Press, 2006)

In Blue Balliett’s sequel to the fantasy mystery Chasing Vermeer, Calder Pillay’s old friend Tommy Segovia returns to Chicago’s University School one week before the end of the school year. But everything has changed for Tommy. He no longer lives across the street from Calder, but instead lives in an apartment overlooking Frank Lloyd Wright’s famous Robie house, several blocks away. And Calder went and made friends with a girl Tommy hardly knows, one Petra Andalee. Tommy longs to do something that will create a big splash so that he can feel important. When the class learns that the Robie house has been slated for demolition, and the class makes a decision to save it, Tommy searches for a chance to find an important clue. But Calder’s insistence that he make friends with Petra creates rifts among all three, and they set out, like points of a triangle, in three directions, chasing down clues about fish, dragons, and the Invisible Man, all to save the Robie house from demolition — and from thieves.

As in Chasing Vermeer, The Wright 3 weaves together solid clues and fantastic events into one satisfying mystery, but the fantasy elements are even more evident: a mysterious cloaked man who tosses a copy of The Invisible Man from a train, an identical copy to the one Petra picked up at a bookstore; a jade fish that Tommy finds that may be the very fish Frank Lloyd Wright carried as a talisman; and the Robie house itself, that shrugs villains off of its roof and speaks in whispers to its friends.

Brett Helquist’s charming illustrations weave a story of their own. Readers should search them for signs of an animal that is important in the story, and watch for its transformation at the end.

Chasing Vermeer by Blue Balliett, illustrated by Brett Helquist (Scholastic Press, 2004).

If you like your mysteries with a touch of fantasy, then Chasing Vermeer is for you. When a well-known Vermeer painting goes missing, sixth graders Calder Pillay and Petra Andalee decide to track it down. First working alone as rivals, the two must join forces to make sense of patterns, coincidence, and the significance of blue M&Ms to unravel the mystery before the thief makes good on his promise to destroy the priceless painting.

Author Blue Balliett fills her fantasy mystery with delightful quirks of place and character. Her two youthful detectives live in Hyde Park in Chicago, where they attend the University School, founded by John Dewey and running on very student-centered principles. Petra and Calder’s teacher, Miss Hussey, seems youthful and scatterbrained, but holds a mystery or two herself — as does the elderly Mrs. Sharp that the children befriend. Calder carries around a set of pentominoes, a twelve-piece set of mathematical tools used to explore geometry, and which Calder uses to explore patterns related to the mystery. Petra has a penchant for writing and uses writing to clarify her ideas. But she also seems to have a hidden talent for “hearing” people who aren’t there — including the woman in the Vermeer painting.

Brett Helquist’s illustrations portray the characters perfectly, and hide an additional mystery: within the illustrations, readers can hunt for hidden pentominoes that spell out a secret message.

Mittens by Lola M. Schaefer, illustrated by Susan Kathleen Hartung (HarperCollins, 2006)

When a tiny kitten comes to a new house, everthing seems loud, unfamiliar, and scary. Mittens wants a place that’s just his, where he feels safe. But where? And will he find someone to be his friend?

This simple, satisfying tale is told in easy-to-read language with only a few lines on each page, perfect for children who are just learning to read on their own. The softly-colored illustrations add a sweet gentleness to the tale of how a young boy in the house helps Mittens feel safe. This book would be great for children to read just before a new kitten comes to their home, so that they can understand kitty’s nervousness and how they can help their new companion fit in.

United No More: Stories of the Civil War by Doreen Rappaport and Joan Verniero (HarperCollins, 2006)

Men, women, children, black, white, Native American — all took part in the American Civil War on both sides. What was it like for them? What led them to serve their cause, to fight in battles and to rouse others to do the same? What was the U.S. like in the 1860’s, when the Civil War erupted and split one country into two?

These questions and more are explored in this collection of fictionalized accounts of real people during the Civil War, bringing history alive to young readers. Appropriate for readers at the middle school level and above, these stories encompass many different groups who participated in the war between the states. Stories feature:

• Julia Ward Howe, writer of the Battle Hymn of the Republic
• Eugenia Phillips, arrested as a Confederate spy
• Mary Jackson, who led a protest against food shortages and rising prices in Richmond, Virginia
• William H. Carney, who served in the Massachusetts 54th Colored Infantry
• Commander David Glasgow Farragut, who led the Union naval attack on Mobile, Alabama, and is reputed to have said, “Damn the torpedos, full speed ahead!”
• President Abraham Lincoln during his second inaugural address, and Washington correspondent Noah Brooks who recorded and printed the famous “With malice toward none” speech.
• Ulysses S. Grant and Robert E. Lee, once allies in the Mexican war, leading opposing armies in the Civil War, who faced one another across a table in house at Appomattox Virgina to negotiate the war’s end.

Readings from United No More would make a valuable addition to U.S. history lessons, bringing dry textbook facts to life, and giving a human face to important events.

How to Be, written and illustrated by by Lisa Brown (HarperCollins, 2006)

How to be a monkey: Swing from a tree. Eat with your toes. Copy someone. Be curious.

How to be a bear: Catch fish with your hands. Hibernate. Growl. Be brave.

Author/illustrator Lisa Brown employs simple, charming illustrations and a minimal text to teach children how to be different animals — the how to be themselves, using the best qualities of the animals. The easy-to-read text make this book terrific for interactive storytime. Kids may want to act along with the children in the book, pretending to be different animals.

The book may also inspire conversation about what it means to be a person, and what it means to be yourself. The text could easily introduce the good qualities that people strive for: bravery, curiosity, patience, creativity, charm, and frendliness, without being pedantic or preachy.

How to Be is Lisa Brown’s debut book for children, and may be destined to become a beloved classic.

Lies and Other Tall Tales, complies by Zora Neale Hurston, adapted and illustrated by Christopher Myers (HarperCollins, 2005)

“Liars, back in the day, could tell a lie so good,

You didn’t even want to know the truth.”

The late Zora Neale Hurston (author of Their Eyes Were Watching God), throughout her anthropological studies of the southern U.S., collected tall tale after tall tale, each one more deliciously far-fetched than the next. But then:

“…she knew that there had been a decline

In the quality of lies and it was just

Gone get worse, unless somebody did something.

So she wrote down all the lies she could get her hands on.”

Illustrator Christopher Myers went the next step with Hurston’s collections, creating a book full of whoppers, illustrated with Myers’ cut cloth and paper art. Meet a man who ran so fast, he lost his feet. Or the woman so small, she could walk between the raindrops and never get wet. And then there was the year it was so dry — or the year it was so cold — well, you wouldn’t believe it until you read it, and even then, maybe you won’t believe it, but you’ll want to!

Lies and Other Tall Tales is a tribute to the fast-dying art of tall tales and outrageous whoppers straight from the furthest reaches of the imagination, “back when computers ran on steam power, back when cellular phones had rotary dials.” The rhythmic text echoes the voices of the original speakers as they sat of an evening, trying to outdo one another with one whopper after another. Small children may need some introduction into the text, lest they take the tall tales too literally, but young readers will enjoy the zestful exaggerations and wild fancies, and may try to come up with their own whoppers to match.

Once I Ate a Pie by Patricial MacLachlan and Emily MacLachlan Charest, illustrated by Kathy Schneider

Meet Beefy, who once ate a pie. Lucy, who loves what’s hers — and everything is hers. Sugar, who only likes to sleep. Abby, who never steals, only borrows. Pocket, who cannot understand why his coat, dish, and collar are so tiny when he’s sure he’s huge.

It’s a dog’s world, as the saying goes, and the dogs of Once I Ate a Pie are here to explain the world from a dog’s point of view. Gus wants us to know that he needs to herd everyone and wants everyone in one place. That’s why he pokes his nose into the bathroom when people close the door. Puppy feels overwhelmed by the size of the world, and wants to be close to his people, safe and warm. Louis used to only yip, but now he can BARK, and he’s proud of it.

Everyone loves to be heard, and Newbery Medal winner Patricia MacLachlan and her daughter, Emily MacLachlan Charest open the world of thirteen household heroes who want us to know what’s on their minds. Guggenheim Fellowship winning illustrator Katy Schneider provides heartfelt, dog-view portraits, bringing the stars of the book to life.

This book would be an excellent addition to any family where dogs and small children share the same space. Once I Ate a Pie is a great way to help kids understand their canine companions, and should help open up conversations about “why does puppy do that?”

A Gift of Her Own by Wendy Pini, Father Tree Press, 1995.

What do you do when someone laughs at something that’s close to your heart, until you think your heart will break? Run away from home, into the forest, to live on wild berries for the rest of your life?

That is what young Elmy tries to do in A Gift of Her Own, a fantasy picture book from the creators of the Elfquest graphic novels. Illustrated with Wendy Pini’s achingly beautiful artwork, the story carries an important message for young children with creative souls.

Elmy is a poor child in an alternate world, the World of Two Moons. When she is mocked for a button necklace that she made for herself, she flees into the forest, vowing never to return. There she meets some mysterious people — the wolfriding elves that she believed were only legend. The gentle treeshaper, Redlance, takes her deep into the elfin holt, where she meets two youngsters, Ember and Suntop. Elmy soon finds the values of her human world turned around, for the elves trade furs and meat with the trolls for gold and jewels that they view as mere decoration, while Elmy’s handmade necklace is treated with respect. “Elmy made that!” Ember says, holding back the greedy troll child, Trinket, who makes a grab for the necklace. “It’s special!”

“You are a Maker,” Redlance tells her. “With such a gift, you’ll never want for anything. Someone will always have a use for what you can do. There aren’t many Makers, after all.”

In the 1980’s, Wendy and Richard Pini published the first of their fantasy graphic novels that becaome the Elfquest series. “Fantasy with teeth,” they called it, for the Wolfriders weren’t the sort of elves to just drift around the forest looking ethereal. The ancestors of the wolfriders were forced to live in a savage world, and adapted by becoming creatures of the night, bonding with wolves and learning to hunt as the wolves do. The novels live on, supported by a fan base playing out their out their own Wolfrider fantasies in online holts all across the Internet. While the original Elfquest novels deal with adult subjects, A Gift of Her Own brings the world of the Wolfriders to children in this gentle and lovely picture book.